Religion and Drama in Early Modern England

Filename: religion-and-drama-in-early-modern-england.pdf
ISBN: 9781317068112
Release Date: 2016-04-08
Number of pages: 296
Author: Elizabeth Williamson
Publisher: Routledge

Download and read online Religion and Drama in Early Modern England in PDF and EPUB Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.


Protestantism and Drama in Early Modern England

Filename: protestantism-and-drama-in-early-modern-england.pdf
ISBN: 9780521760171
Release Date: 2009-09-24
Number of pages: 298
Author: Adrian Streete
Publisher: Cambridge University Press

Download and read online Protestantism and Drama in Early Modern England in PDF and EPUB This book provides a reassessment of the relationship between Reformed theology and early modern literature, with analysis of key writers and thinkers.


Martyrs and Players in Early Modern England

Filename: martyrs-and-players-in-early-modern-england.pdf
ISBN: 9781472428288
Release Date: 2014-07-28
Number of pages: 252
Author: Professor David K. Anderson
Publisher: Ashgate Publishing, Ltd.

Download and read online Martyrs and Players in Early Modern England in PDF and EPUB Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity.


Is this Your Manly Service

Filename: is-this-your-manly-service.pdf
ISBN: OCLC:758840683
Release Date: 2011
Number of pages:
Author: Thomas Joseph Moretti
Publisher:

Download and read online Is this Your Manly Service in PDF and EPUB


Theatre and Religion

Filename: theatre-and-religion.pdf
ISBN: 0719063639
Release Date: 2003
Number of pages: 267
Author: Richard Dutton
Publisher: Manchester University Press

Download and read online Theatre and Religion in PDF and EPUB This important collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on the question of whether Shakespeare himself was Catholic. Among the many topics discussed are the nature of Elizabethan Catholicism, Jesuit drama in the period, individual plays in the light of these questions, and the possible influence of religious conflicts on the publication of the Shakespeare First Folio.


Staging Harmony

Filename: staging-harmony.pdf
ISBN: 9781501706462
Release Date: 2016-08-02
Number of pages: 296
Author: Katherine Steele Brokaw
Publisher: Cornell University Press

Download and read online Staging Harmony in PDF and EPUB In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people’s reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church’s present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe’s Doctor Faustus, Shakespeare’s The Tempest and The Winter’s Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.


The Drama of Coronation

Filename: the-drama-of-coronation.pdf
ISBN: 9781139474665
Release Date: 2008-09-25
Number of pages:
Author: Alice Hunt
Publisher: Cambridge University Press

Download and read online The Drama of Coronation in PDF and EPUB The coronation was, and perhaps still is, one of the most important ceremonies of a monarch's reign. This book examines the five coronations that took place in England between 1509 and 1559. It considers how the sacred rite and its related ceremonies and pageants responded to monarchical and religious change, and charts how they were interpreted by contemporary observers. Hunt challenges the popular position that has conflated royal ceremony with political propaganda and argues for a deeper understanding of the symbolic complexity of ceremony. At the heart of the study is an investigation into the vexed issues of legitimacy and representation which leads Hunt to identify the emergence of an important and fruitful exchange between ceremony and drama. This exchange will have significant implications for our understanding both of the period's theatre and of the cultural effects of the Protestant Reformation.


Inventing Polemic

Filename: inventing-polemic.pdf
ISBN: 9780521838542
Release Date: 2006-03-30
Number of pages: 324
Author: Jesse M. Lander
Publisher: Cambridge University Press

Download and read online Inventing Polemic in PDF and EPUB Inventing Polemic examines the ways in which the new technology of print and Reformation polemic together dramatically transformed the literary culture of early modern England. Bringing together important work in two distinct areas, the history of the book and the history of religion, it gives an innovative account of the formation of literary culture in Tudor-Stuart England. Each of the central chapters of the book focuses on specific publishing events: Foxe's Actes and Monuments, the Marprelate pamphlets, the first two quartos of Hamlet, Donne's Pseudo-Martyr and The Anatomy of the World, and Milton's Areopagitica. Lander also considers the way in which subsequent understandings of literature and the literary were shaped by a conscious and conspicuous rejection of polemic. This study is an important reconsideration of some of the most influential texts of early modern England, focusing on their relation to the charged religious environment as it is reflected in and shaped by the products of the emergent book trade.


Digital Humanities and the Lost Drama of Early Modern England

Filename: digital-humanities-and-the-lost-drama-of-early-modern-england.pdf
ISBN: 9781317150787
Release Date: 2016-04-22
Number of pages: 212
Author: Matthew Steggle
Publisher: Routledge

Download and read online Digital Humanities and the Lost Drama of Early Modern England in PDF and EPUB This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.


Shakespeare and Early Modern Religion

Filename: shakespeare-and-early-modern-religion.pdf
ISBN: 9781107026612
Release Date: 2015-01-22
Number of pages: 330
Author: David Loewenstein
Publisher: Cambridge University Press

Download and read online Shakespeare and Early Modern Religion in PDF and EPUB This volume freshly illuminates the diversity of early modern religious beliefs, practices and issues, and their representation in Shakespeare's plays.


The Materiality of Religion in Early Modern English Drama

Filename: the-materiality-of-religion-in-early-modern-english-drama.pdf
ISBN: 0754668274
Release Date: 2009
Number of pages: 232
Author: Elizabeth Williamson
Publisher: Ashgate Publishing, Ltd.

Download and read online The Materiality of Religion in Early Modern English Drama in PDF and EPUB The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. The study explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of certain stage properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage.


The Idolatrous Eye

Filename: the-idolatrous-eye.pdf
ISBN: 0195344022
Release Date: 2000-01-13
Number of pages: 208
Author: Michael O'Connell
Publisher: Oxford University Press

Download and read online The Idolatrous Eye in PDF and EPUB This study argues that the century after the Reformation saw a crisis in the way that Europeans expressed their religious experience. Focusing specifically on how this crisis affected the drama of England, O'Connell shows that Reformation culture was preoccupied with idolatry and that the theater was frequently attacked as idolatrous. This anti-theatricalism notably targeted the traditional cycles of mystery plays--a type of vernacular, popular biblical theater that from a modern perspective would seem ideally suited to advance the Reformation project. The Idolatrous Eye provides a wide perspective on iconoclasm in the sixteenth century, and in so doing, helps us to understand why this biblical theater was found transgressive and what this meant for the secular theater that followed.


Mind Travelling and Voyage Drama in Early Modern England

Filename: mind-travelling-and-voyage-drama-in-early-modern-england.pdf
ISBN: 9781137035363
Release Date: 2012-12-15
Number of pages: 236
Author: D. McInnis
Publisher: Springer

Download and read online Mind Travelling and Voyage Drama in Early Modern England in PDF and EPUB Drawing on a wide range of drama from across the seventeenth century, including works by Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, this book situates voyage drama in its historical and intellectual context between the individual act of reading in early modern England and the communal act of modern sightseeing.


The End of Satisfaction

Filename: the-end-of-satisfaction.pdf
ISBN: 9780801470622
Release Date: 2014-04-22
Number of pages: 240
Author: Heather Hirschfeld
Publisher: Cornell University Press

Download and read online The End of Satisfaction in PDF and EPUB In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term “satisfaction” during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots “to set things right” in a world shorn of the prospect of “making enough” (satisfacere). Hirschfeld’s semantic history traces today’s use of “satisfaction”—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.


The Materiality of Religion in Early Modern English Drama

Filename: the-materiality-of-religion-in-early-modern-english-drama.pdf
ISBN: 9781317024439
Release Date: 2016-03-03
Number of pages: 242
Author: Elizabeth Williamson
Publisher: Routledge

Download and read online The Materiality of Religion in Early Modern English Drama in PDF and EPUB The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.